Jan van Eyck’s Arnolfini Double Portrait (1434) is a touchstone for the study of iconography which is __________. How does the way we interpret this painting set the stage for how we interpret artwork in future movements/time periods?

Respuesta :

Answer:

I think it would be Popular

Explanation:

look, i am so sorry if this is hella wrong pls dont report!!

Popular I think I could be wrong tho